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VISUAL IDENTIFICATION

Visual Index

Browse illustrated fabrics, motifs and regional sarees; open each entry for a fuller explanation.

Editorial photograph inviting exploration of saree traditions and textile patterns
VISUAL INDEX

Explore by what you see

Image-led reference

Browse illustrated entries by category or region. Select an image to read its full reference entry.

Illustration for Buti — a small repeated decorative shapeButi — a small repeated decorative shapeA buti is a small motif, often a flower, leaf, star or paisley, repeated across the body of the saree. Think of neat little decorations separated by s…Illustration for Buta — a larger, more noticeable motifButa — a larger, more noticeable motifA buta is generally a larger individual decorative design: perhaps a big flower, a bouquet or a broad paisley. It becomes a feature you notice from ac…Illustration for Paisley / Kairi / Ambi — the curved mango shapePaisley / Kairi / Ambi — the curved mango shapePaisley is the familiar curved teardrop shape, with a wider rounded end and a pointed tip that often curls. Indian names include kairi and ambi , rela…Illustration for Lotus — a stylized flower, sometimes geometricLotus — a stylized flower, sometimes geometricThe lotus is usually shown as an open flower with pointed petals, or as a simplified bud. In some sarees the petal outline is obvious; in others the s…Illustration for Peacock / Mor — the long-necked bird with a showy tailPeacock / Mor — the long-necked bird with a showy tailThe peacock is one of the most recognisable Indian saree motifs. It may appear as a complete bird, as two facing birds, or mainly as a sweeping feathe…Illustration for Parrot / Munia — a small, colourful bird motifParrot / Munia — a small, colourful bird motifMunia is used for small parrot-like birds in some textile traditions, notably Paithani design vocabulary. These are often depicted as rows of short, p…Illustrative textile study: Illustration for Elephant, horse and other animal motifsElephant, horse and other animal motifsElephants commonly look stately or ceremonial; horses may appear alone or within scenes; deer and other animals often belong to narrative patterns. An…Illustration for Bel — a continuous vineBel — a continuous vineA bel is a creeping or curling vine, often carrying flowers or leaves. Instead of separate flowers floating across the cloth, the designs are connecte…Illustration for Bel-patti — a vine emphasizing leavesBel-patti — a vine emphasizing leavesPatti means leaf. Bel-patti usually suggests a leafy vine or scrolling leaf design. It is especially easy to recognise when a border consists of small…Illustration for Jaal — a connected web of patternJaal — a connected web of patternJaal literally suggests a net. On a saree, think of flowers, vines or geometric shapes joined across the body , making a repeating network rather than…Illustration for Jangla — a luxuriant garden-like designJangla — a luxuriant garden-like designJangla is commonly used for rich, extensive patterns of flowers and winding plants, especially in Banarasi design language. The impression is closer t…Illustration for All-over / jaal-dar body — very little plain groundAll-over / jaal-dar body — very little plain groundAll-over is ordinary descriptive language: a pattern covers almost the entire body. It could be flowers, checks, small butis, abstract shapes or dense…Illustration for Checks — lines crossing to make squaresChecks — lines crossing to make squaresChecks are made by horizontal and vertical lines crossing each other. They may be tiny, broad, balanced or irregular. In some traditions the square st…Illustration for Stripes — repeated straight bandsStripes — repeated straight bandsStripes may run the length of the saree or across it, and they can be narrow, broad, coloured or metallic-looking. A striped body can look modern and …Illustrative textile study: Illustration for Chevron / zigzag — repeated V-shaped linesChevron / zigzag — repeated V-shaped linesA chevron repeats pointed V-shapes, often connecting into a zigzag band. It may be sharp and geometric or softened by dyed yarn effects. Zigzag border…Illustrative textile study: Illustration for Diamond / lozenge — pointed four-sided shapesDiamond / lozenge — pointed four-sided shapesA diamond is a square turned onto one corner or an elongated four-sided figure. Repeated diamonds are common in geometric sarees and Ikat designs, but…Illustration for Temple border — a row of pointed formsTemple border — a row of pointed formsA temple border commonly has repeated triangular or stepped shapes along the edge, inspired by temple towers or architectural outlines. Imagine a neat…Illustration for Konia — a design in the cornerKonia — a design in the cornerKonia refers to an ornamental element placed at a corner, especially where a border meets the pallu. It might be a paisley, flower or another large mo…Illustration for Kalga — an ornamental plume or curved botanical designKalga — an ornamental plume or curved botanical designKalga is used for a stylised decorative form that can resemble a curling leaf, plume or elaborated paisley. Its exact appearance varies by design trad…Illustrative textile study: Illustration for Ganga–Jamuna border — different colours on opposite edgesGanga–Jamuna border — different colours on opposite edgesA Ganga–Jamuna saree has the two long borders in different colours, or sometimes different treatments, instead of matching each other. Picture a saree…Illustration for Contrast border — a border in a noticeably different colourContrast border — a border in a noticeably different colourA contrast border is easy to spot: a blue body with a bright pink border, for example. It can be narrow or broad, simple or decorated. Some traditions…Shikargah textile illustration depicting a hunting narrative with figures and animalsShikargah — hunting-scene decorationShikargah describes designs depicting a hunt or related scenes, often with animals, riders, birds and trees arranged together. Instead of noticing a s…Illustration for Narrative pallu — images arranged like story panelsNarrative pallu — images arranged like story panelsA narrative pallu carries scenes rather than only decorative shapes. These may show people, architecture or episodes from stories and mythology. Baluc…Illustrative textile study: Illustration for Shankha and Chakra — conch and wheel motifsShankha and Chakra — conch and wheel motifsShankha means conch shell; Chakra means wheel or disc. These are traditional symbolic motifs, found particularly in some eastern Indian decorative voc…Illustration for Ikat — colour patterns prepared on the threads before weavingIkat — colour patterns prepared on the threads before weavingIn Ikat, groups of yarns are tied or otherwise protected from dye in carefully chosen places before they are woven. The coloured sections line up to f…Illustration for Single Ikat and double Ikat — one set of yarns or bothSingle Ikat and double Ikat — one set of yarns or bothA saree has lengthwise yarns and crosswise yarns. In single Ikat, typically one set is resist-dyed to create the planned shapes. In double Ikat, bot…Illustration for Bandhani / Bandhej — tiny tied dots and patterned clustersBandhani / Bandhej — tiny tied dots and patterned clustersBandhani is made by tying small points on cloth before dyeing. The tied spots resist the dye, creating dots. Groups of these dots can form flowers, ci…Illustration for Leheriya — flowing diagonal waves and stripesLeheriya — flowing diagonal waves and stripesLeheriya is a Rajasthani tie-dye tradition especially known for diagonal, wave-like stripes, often in vibrant colours. The stripes are typically softe…High-resolution geometric floral Ajrakh-inspired design studyAjrakh — complex repeated printed patternsAjrakh is a traditional resist and block-printing practice associated particularly with parts of Gujarat, Rajasthan and Sindh. Many well-known example…Illustration for Kalamkari — drawn or block-printed storytelling and flowersKalamkari — drawn or block-printed storytelling and flowersKalam refers to a pen; traditional Kalamkari includes hand-drawn work as well as block-printed practices associated with different centres. Sarees can…Illustrative textile study: Illustration for Shibori — patterns formed by binding or folding clothShibori — patterns formed by binding or folding clothShibori is a family of resist-dyeing techniques in which cloth is folded, stitched, bound or compressed before dyeing. The result may be irregular cir…Illustrative textile study: Illustration for Batik — designs made using a wax resistBatik — designs made using a wax resistIn batik, wax blocks dye from reaching selected areas of the cloth. When the wax is removed, shapes and colours remain. Some batik fabrics show fine c…Illustrative textile study: Illustration for Block printing versus digital printingBlock printing versus digital printingBlock printing uses carved blocks applied to cloth, often one colour at a time. It can produce beautiful repeated designs and small variations in regi…Illustration for Zari — the metallic-looking threadZari — the metallic-looking threadZari is the gold- or silver-looking thread often used in borders and decorative patterns. Historically some zari used precious-metal components; moder…Illustration for Meenakari — small coloured details inside woven decorationMeenakari — small coloured details inside woven decorationIn the language of certain silk brocades, Meenakari usually refers to coloured silk details added into the main decorative motifs. Picture a gold-colo…Illustrative textile study: Illustration for Chikankari — fine, often delicate embroideryChikankari — fine, often delicate embroideryChikankari is a traditional embroidery associated strongly with Lucknow. Many designs are floral or leafy, worked with a variety of stitches that can …Illustrative textile study: Illustration for Kantha — running-stitch embroidery and storytellingKantha — running-stitch embroidery and storytellingKantha is associated with eastern India, especially Bengal. Running stitches create outlines, patterns and sometimes richly illustrated scenes. Some p…Illustrative textile study: Illustration for Zardozi — elaborate metallic embroideryZardozi — elaborate metallic embroideryZardozi is a form of richly decorative embroidery, historically using metal-related threads and materials, often with beads, stones or sequins. It is …Illustrative textile study: Illustration for Gota Patti — applied shiny ribbon piecesGota Patti — applied shiny ribbon piecesGota Patti decoration uses pieces of metallic-looking ribbon or trim attached to the cloth, commonly arranged as petals, leaves or geometric shapes. I…Illustration for Cutwork — a label used in more than one wayCutwork — a label used in more than one wayThe word cutwork can refer to actual cut-out embroidery in some textiles. In Banarasi silk commerce, it can also describe a brocade approach where unu…Illustrative textile study: Illustration for Kadwa / Kadhua — decorative motifs formed individuallyKadwa / Kadhua — decorative motifs formed individuallyA Kadwa saree has motifs woven separately with their own decorative threads, rather than simply carrying one decorative thread across long empty space…Illustrative textile study: Illustration for Fekwa / Phekua — decorative thread carried across wider areasFekwa / Phekua — decorative thread carried across wider areasIn Fekwa descriptions, supplementary decorative thread is often carried across larger portions of fabric, producing motifs with connecting floats visi…Illustrative textile study: Illustration for Tanchoi — densely patterned silk designsTanchoi — densely patterned silk designsTanchoi usually describes a silk weaving style with finely detailed, often continuous patterns made with multiple coloured yarns. Its surface can look…Illustration for Kimkhab / Kinkhab — very rich brocadeKimkhab / Kinkhab — very rich brocadeThis is a traditional name associated with sumptuous, dense brocade in which decorative metallic threads can occupy much of the visible surface. Histo…Illustrative textile study: Illustration for Rangkat — bold areas of changing coloursRangkat — bold areas of changing coloursRangkat is associated with multi-colour arrangements, particularly in Banarasi textile vocabulary. A saree may show distinct bands or areas of contras…Illustration for Korvai — a separately worked contrast borderKorvai — a separately worked contrast borderKorvai is associated especially with traditional Kanjivaram-style silk sarees. It refers to a particular border joining method that can produce a str…